You don’t need to drive out to the country to draw from life, from an artistic point of view, urban settings have just as much appeal!
The lessons follow a logical progression, from sketching static buildings and monuments to capturing the movement of individual figures and bustling crowds, enabling you to practice your drawing skills and create fast, bold urban sketches with pencils, pens, or watercolors—whatever tools you have on hand.
Choosing your materials
Building structure into your drawing
Capturing panoramic views of a city
Drawing people in cafes
Bringing it all together in a start-to-finish drawing
This online drawing course shows you how to draw from life, learn how to draw buildings, street scenes, cafés, and people and you can read more here.
This week we’re going to be bringing our pen sketching skills into the urban environment.
Sketching your surroundings can be such a fantastic way to create a visual diary of your daily experiences and I’m always a sucker for a sketch of a bike.
This video tutorial looks at how you can use different thicknesses of pens to create variety in your sketches, and how thinking about the surrounding shapes outside your main subject can add context to your drawings.
Earlier in the Summer, I took an impromptu trip to see ‘Late Rembrandt‘.
It was the first time that an exhibition had been solely dedicated to Rembrandt’s late works. Many of the most famous paintings that he produced in the last 15 years of his life had been brought together from museums and private collections across the globe.
This period is often the most celebrated due to Rembrandt’s development of a more gestural, impressionistic style and this was some 200 years before the popularity of the Impressionists.
I’ve just finished creating a new sketching course taking some of my drawing techniques out of the studio into the countryside.
In ‘The Essential Guide to Sketching the Landscape’ we look at new materials, techniques but most importantly what ‘works’ in a landscape sketch, from composition and simple perspective to changing your viewpoint to achieve maximum results.
Developing the habit of thumbnail sketches can build your confidence when gathering reference information out on location and you’ll become used to using your sketchbook to its full advantage, without feeling pressured to make every piece a finished work of art.
Downloading the reference photograph The photo below can be ‘right clicked’ and ‘Save image as’, so you can use it as a reference image, print it out and follow along with the video above. You can also download a High-Resolution Image here…
Considering it was mid-April in England, we were treated to some truly amazing weather. We’d travelled down the coast to an area of South East Cornwall called ‘The Forgotten Corner’. Often overlooked due to its remote location but we found some cracking little-secluded coves and practically empty sandy beaches. Artist’s have always been drawn to […]
An Artist in His Studio, John Singer Sargent, 1904 Last month saw the opening of a new exhibition at the National Portrait Gallery in London. The show highlights the work of one of my favourite portrait painters, John Singer Sargent (1856 – 1925) I’ve been a fan of Singer Sargent’s paintings ever since visiting the […]
“Of all the words of mice and men, the saddest are, “It might have been.” Kurt Vonnegut I always feel so sad when I read this quote, “It might have been…” What a waste. So many aspiring artists come to me with a real passion to learn how to paint and ask me where should […]
J.M.W Turner, Margate (?) from the sea, about 1835-40 11 years ago on a very cold winters morning I was poised with a dripping wet floor mop, recreating a painting by J.M.W Turner. My audience were a group of five cleaners from the Museum I worked at. The workshop wasn’t really going to plan. I […]
Painting portraits with acrylics can be frustrating. It can seem that you’re facing an uphill struggle. After the pleasure of not getting headaches from toxic turpentine and being able to paint with thick impasto marks there seems to be double payback for daring to tackle a portrait with acrylics. Not only do the colours appear […]
After a long drive we arrived at Laundry cottage in the pitch black, the only sound was running water from the nearby waterfall. There had been a few minor worries en-route, slight overheating, suspicious drips from under the car and the Sat-Nav had given up the ghost but we were here…and the pack of shortbread […]
I’ve just finished creating a new drawing course that follows on from the Absolute Beginners Drawing Course. In ‘How to Draw Light & Shadow for Beginners’ we look at new materials, techniques and work on some figurative drawings. A lot of students come to me who already have basic understanding of drawing and confidence with […]
Seems a little far-fetched doesn’t it? That your white paint could be ruining your paintings. It’s often the first tube of paint you buy and definitely the most used on your palette … yet can be the most overlooked paint in your collection. You can become transfixed by the Quinacridones, save up for the expensive Cadmiums […]
Sketch by Will Kemp, View from The Uffizi Gallery Window in Florence, Italy New Updated step-by-step Online Drawing Course I’ve been super busy updating and ‘polishing up’ my Absolute Beginners Drawing Class to help aspiring artists to fulfill their creative potential and I’m delighted with the results. The Artists Eye Having studied film and cinematography, I’ve […]
“Painting is drawing with the added complication of colour and tone” Harold Speed – The Practice & Science of Drawing In this light and shadow series we look at the theory, drawing and painting of a simple form focusing on shadow, light and edges. Part 1 we looked at the theory of light and shadow. […]
In this light and shadow series we look at the theory, drawing and painting of a simple form focusing on shadow, light and edges. in Part 1 we looked at the theory of light and shadow. This week we’re going to put pencil to paper and see how the theory works in a simple pencil […]
Cezanne, Oil on Canvas, still life with seven apples, 1878 Ever felt frustrated having worked so hard on a drawing – only to find it still looks ‘flat’? Is it the proportions? The perspective? Perhaps the composition? Whilst these all play an integral part, the most effective method of making your drawings appear three dimensional, […]
An Introduction to Varnishing an Oil Painting As we’ve discussed in 3 Reasons why artists varnish their work (and why some artists don’t) varnishing is primarily an aesthetic choice on the final finish of your painting. Not only can it really bring up the vibrancy and richness in your realist paintings but it offers protection for […]
New Small Glass Study Acrylic Video Course Merry Christmas class! The new mini-course where I paint a coloured glass and festive oranges is now available! Whoo ho! ho! ho! It’s the perfect addition to the Masterclass Acrylics Course or a great little introduction to the more complex subject of reflections and glass. If you have […]
We’ve all done it. Spent hours, days, even weeks slaving away on a painting but when we finally apply a varnish…it all goes horribly wrong. The anxiousness builds. You’re now sure there’s mismatched sheens on the surface and it was perfect before you started varnishing! Or maybe you thought it was a good idea to […]
In the spirit of Thanksgiving, I’d like to thank all the comments, questions, students and well wishers that have helped the blog to grow over the last year. We now have over 100,000 visitors a month and we’ve gone from 500,000 views to just short of hitting nearly hit the 2,000,000 views on YouTube, Woohoo! […]
I knew we were in trouble when I opened the car door and brown water started flooded in. ‘Shut the door!’ shouted Vanessa. “Mon Dieu, Mon Dieu!” muttered our French driver, holding her head in her hands. The car had stalled. The small country road we had driven along in brilliant sunshine only a few short hours […]
New Still Life Acrylic Masterclass Course Morning class! The Still Life Masterclass in Acrylics course is now available, whoo hoo! Have you ever asked yourself : ‘How do I make my paintings look more professional?‘ At some point in every artist’s development you get to a stage where your paintings are looking pretty good, you […]
In Part 1 we looked at how to master the basic features of your digital camera, so you can emulate how your eyes see things in nature to give you fantastic reference photographs for your still life painting. In Part 2 we saw how small incremental changes in your composition and lighting can instantly create […]
Creating a great still life painting often occurs before you’ve even picked up the brush. In this part of Setting up a Still Life series, we’re going to look at using natural light, whilst also considering the incremental changes in the actual composition of the piece. In Part 1 we looked at how to master […]
Will Kemp, Still Life with Figs, Photograph, 2012 Have you ever got out your digital camera to take a shot of your still life set up and been sorely disappointed with the results? Your photo looks washed out, or too dark or the flash had popped up and flattened the whole scene. You’re not alone […]
One of the most common colour questions I get asked on the Art School is “How do I choose the right colour to paint my coloured ground?” But before I tackle that subject in more detail, I wanted to look at an often overlooked subject, studio wall colour. To answer the previous question completely, you […]
Essential acrylic painting starter set! This is the final part of the painting and we can start to reap the rewards from our careful underpainting and patience. If you’ve just stumbled on the tutorial you can catch up below: Part 1 & 2 of the French cafe painting tutorial Part 3 French cafe painting tutorial […]
I'm Will Kemp, I'm an award-winning professional artist and teacher.
I've studied in Italy, run my own art gallery, taught in museums & schools and I'm going to share my professional art secrets with you.