“I’m not getting on.”
“You have to get on.”
“I don’t, I’m not going.”
5 minutes earlier, you could have mistaken us for locals, idly chatting to a friendly looking Italian who had informed us we needed to take the Linea Arancio (Orange line) to San Marco.
The journey time? Well …it could take anywhere between 30 minutes and 1 hour. He seemed vague, but of course, why should he know details about the journey.
We’d caught a late night flight into Venice and were waiting for one of the last ‘Alliguna’ boats from the airport.
The energy started to change and people formed an orderly queue beside a man clinging precariously to the side of an extremely buoyant boat and then it dawned on us.
The small lurching vessel moored in the dock, that I had 100% assured Vanessa we wouldn’t have to go in, was indeed our transport.
And the vague Italian man … he was the Captain.
The rain lashed into the small space at the rear of the boat, tourists and suitcases packed in together and then I heard Vanessa say “Scusami, Scusami, we’ve changed our minds, we’re getting off at the Rialto Bridge”
3 stops earlier than I’d planned.
Our Venetian adventure had begun… Read More
Growing up in Kent, a trip to Margate beach brings back memories of avoiding jellyfish, penny slot machines and overdosing on ice-cream.
As kids, we thought it was a pretty good beach.
Mainly because it meant the freedom of the Summer holidays but also because of the huge expanse of sand we could run about on.
Turner thought it was a pretty good place too, becoming a regular visitor throughout his lifetime.
For him, it was the unique quality of light in East Kent, with impressive skies and turbulent sea that inspired his works. Click to Continue
In the spirit of Thanksgiving, I’d like to thank all the comments, questions and positivity that have come through the Art School blog this year.
The most rewarding thing is seeing students embrace the challenge of portraits with great enthusiasm and achieve some really fantastic results!
We’ve also broken through the 8,500,000 views on YouTube, Woohoo! so thanks for watching and more videos will be coming soon.
Have a great week,
Morning class! This week we’re going to learn how to capture the brilliant qualities of reflections in copper, using acrylic paint.
I absolutely love how vibrant this copper pan is surrounded by the dark range. Notice how, even though the background is a dark subject, there is still a lighter tone on either side of the pan to bring it forward.
Copper makes a great subject, allowing us to work with a complementary colour palette of orange and inky blue, deep blacks and vibrant colour glazes.
So let’s get started… Click to continue
Cherries overflowing perfectly in a bowl, a sense of life captured in a single moment, creating the perfect still life composition appears to come naturally to some artists.
Reassuringly, there are a few simple adjustments you can make to your own set-ups, that prevent you making the most common beginner mistakes.
By making small changes to the placement of your objects, you can breathe life and energy into your compositions and by observing how your viewing position impacts the shapes and shadows, will help develop accuracy in your drawings… Click to Continue
Love it or hate it, almost all landscape artists want to be able to paint trees, woods and grass realistically.
But mixing greens can be one of the major issues that can start to throw your landscape painting off-course.
Greens can be an Achilles heel for beginners, and the urge to grab a vivid, bright green from the paint box can be hard to resist.
In the past I’ve demonstrated how you can achieve some surprisingly subtle greens by using some seemingly ‘non-green’ colours such and black and brown.
And I advise beginners to throw out their pre-mixed green (usually this is Emerald Green included in starter sets) when they’re first starting, in order to practice colour mixing with acrylics and develop their own mixing skills and gain colour confidence.
Why?.. Click to continue