NEW Beginners Acrylic Colour Mixing Course is Live!


 

Learn more about the course here: New Simple Colour Mixing Course

I’ve designed this brand new, downloadable video course to help you understand the theory behind colour mixing, discover how to mix and match colours accurately and then put theory into practice, creating a series of 4 still life paintings.

You might have been struggling to understand colour mixing for years, sometimes getting it spot on but other times when it goes wrong, have no idea why or how to fix it?

Or maybe you’ve read articles on colour theory but not had the confidence to put that new knowledge into an actual painting practice?

On this colour mixing video course, we take a really simple practical approach, over 5 hours + of tuition, you’ll gain an understanding of the properties of paint, learn the foundations of colour theory and put brush to canvas.

And we’re just going to take it one step at a time, starting with learning the language of colour, everything broken down simply so that the painting exercises and studies give you the confidence you need to develop your colour mixing skills.

I demonstrate using a traditional, 3 primary & 3 secondary colour wheel to teach you a step-by-step approach and working through these progressive tutorials; you’ll be guided by your new colour mixing intuitions, opening up the fantastic world of colour.

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Distracted by Light (how a bowl of apricots sent my schedule out the window)

will-kemp-apricot-still-life

Will Kemp, Still Life with Apricots (detail), acrylic on canvas

I’ve been distracted by an apricot.

It’s not the usual thing that grabs your eye but I’m deep in the midst of filming a new simple colour mixing course and the apricots have got me.

They were the perfect subject to teach colour theory for one of the studies and as I arranged them in the studio, a light, impressionistic, muted blue and orange composition began to form.

Pleased with the setup, I headed down the garden for a tea break.

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The Secret to Painting Realistic Shadows in Sunlight

The Secret to Painting Realistic Shadows in Sunlight

“A Painting is complete when it has a Shadow of a God”
Rembrandt van Rijn

I remember being taught at art college that shadows weren’t really present in paintings until the Renaissance period.

And you’d be forgiven for thinking when you look at some beginners work, that they were from Ancient Greece – they didn’t use shadows either!

In live painting classes in the past, when I’ve mentioned the words ‘cast shadow’, students concentration wains or worse, a look of rising panic crosses their faces as if they’ve been duped into a technical drawing class.

I’m not quite sure why cast shadows seem so mysterious, elusive or confusing. Shadows help to ‘ground’ an object and learning to accurately observe them, is the most effective way of making your paintings look convincing.

And just by switching the name around it seems easier to digest.

Shadows cast.

I want to keep it simple without the complications of multiple light sources or atmospheric perspective that occurs in vast landscapes, today I am going to focus on shadows cast outside, by sunlight.

Shadows cast by a tree, by a building, shadows cast by a chair or plant pot. The shadow that is falling onto the ground, or against a wall, or onto a table.

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How to Paint Green Summer Trees with Acrylics – Video Tutorial

adding shadows to a landscape painting

Green.

Love it or hate it, almost all landscape artists want to be able to paint trees, woods and grass realistically.

But mixing greens can be one of the major issues that can start to throw your landscape painting off-course.

Greens can be an Achilles heel for beginners, and the urge to grab a vivid, bright green from the paint box can be hard to resist.

In the past I’ve demonstrated how you can achieve some surprisingly subtle greens by using some seemingly ‘non-green’ colours such and black and brown.

And I advise beginners to throw out their pre-mixed green (usually this is Emerald Green included in starter sets) when they’re first starting, in order to practice colour mixing with acrylics and develop their own mixing skills and gain colour confidence.

Why?..

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New! Acrylic ‘Simple Colour Mixing’ Course

How to transform your colour mixing in a weekend

With so many different colours available, when starting colour mixing, where do you begin?

You find yourself standing in an art store with rows and rows of paints in front of you, scanning up and down the aisles trying to take it all it.

Exotic names and vivid colours vie for your attention, from a Potters pink to a Green gold, and other names you just can’t seem to even pronounce!

How do you even say Anthraquinone blue? (answers on a postcard please!)

Most modern manufacturers have over 100 different colours to choose from, from mineral inorganic colours to man-made organic colours – the choice is immense…

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Are these 3 Black Paint Myths Holding You Back?

warm and cool black velazquez

Diego Velázquez, portrait of Juan de Pareja, 1650

Are you scared of using black in your paintings?

Or secretly feel they are the missing ingredient to your work?

If you don’t use black whilst mixing colours you could be missing a trick.

A tale from two masters:

John Singer Sargent and Claude Monet used to go out and paint together.

One day, Sargent is said to have left his paints behind and asked Monet to lend him his to work with. “Where’s the black?” asked Sargent.
“I don’t allow myself to use black.” replied Monet.
“It’s against the impressionist theory. In nature all colours are made by mixing.”
Sargent refused to understand how anyone could paint without black.

It’s a matter of taste…

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