will kemp art school | Page 4 of 24 | acrylic painting tips and techniques

New! Floral Still Life Acrylic Painting Course is now Available!

Morning Class!

The new Floral Still Life Acrylic Painting Course is now available!

I’ve developed this course to show you how you can transfer the feeling of simplicity and light into a studio floral still life by the arrangement of colours, composition and tonal value range.

Taking classical painting techniques to build up an indirect painting in acrylics you’ll create a more contemporary still life painting that allows you to use a light modern palette and still see a good three-dimensional form.

Cheers,

Will

Water-Mixable Oils vs Traditional Oils for Solvent-Free Oil Painting (Video)

You like the idea of trying oil paints but the practicalities of cleaning up your brushes with solvents is out of the question.

It could be you paint in a small room without good ventilation or you’ve had to stop using traditional oils due to skin sensitivities or asthma.

So what’s the alternative? Acrylics? Watercolour? or go old school with some Egg tempera?

How about a real oil paint that can be mixed with water or natural drying oils and cleaned with soap and water. Long working time, soft blends, buttery consistency, no solvents and a super easy cleanup.

Mmm, sounds too good to be true, so what’s the catch?…

How to Paint a Plein Air Sketch of a Lemon Tree with Acrylics (Video Tutorial)

Morning class, this week I’ve been in Mallorca soaking up the scenery and enjoying painting outside. I found this secluded tree within a lemon grove that I thought would work well as a little Plein air sketch with acrylics.

You can download a reference image below to follow along with the lesson.

Downloading the reference photograph

The photo below can be ‘right clicked’ and ‘Save image as’, so you can use it as a reference image, print it out and follow along with the video above.

You can download a larger version of the image here.

Whenever I’m sketching outside, I’m always looking for contrast and shapes that will translate well into a drawing as well as a painting…

Inspiration, Impressionism and the Power of Environment

I’d travelled through the Cotswolds many times before, captivated by the golden glow of the honey-coloured stone buildings, that just seemed to lend themselves to being painted.

The earthy tones of yellow ochre complimented by soft dull lilacs of wisteria-laden-branches create a really mellow colour palette, you then have crumbling walls surrounded by trees and foliage that bring in a bright sap-green colour pop…

How to Paint a Simple Still Life using Oil Paints

Morning class!

If you’ve ever wanted to have a go with oils but felt the mysterious mix of Linseed Oil and Turpentine put you off, then this simple still life study is for you.

It uses just one medium mix the whole way through and I demonstrate the similarities between the techniques we’ve been using on previous acrylic paintings tutorials.

Traditional oil painting medium recipes can be complicated but it’s not essential to master it all so I’ve kept it simple so you can get painting.

Switching between acrylics and oil paint can be a smooth transition, the main difference is how you dilute the pigments.

New! Venice – Light & the Landscape Impressionistic Course is now Live!

Morning Class!

The new Venice – Light & the Landscape Impressionistic Course is now available!

I’ve developed this acrylic painting course inspired by a Venetian Sunset to help guide you through the process of moving from small-scale to large-scale acrylic paintings.

What pitfalls does an artist face when painting big?

As a student visiting the Musée de l’Orangerie in Paris, I’d just seen Monet’s monumental Water Lily paintings and I was in awe.

The sheer scale of the pieces with thick painterly brush strokes inspired me to get back to my little studio space at home.

It was time to break out with the big canvas.

I wanted to create impressionistic landscapes and seascapes that still held the qualities of light-fall and realism that I’d seen, but maybe a little bit smaller than 40ft!

And this immersive large-scale painting experience is what many beginner artists want, it feels exciting and well….arty to create something big and expressive.

Grabbing a large decorators brush, making gestural marks on your canvas – feels invigorating, almost like a breakthrough and then…. you start to hear your inner artist voice getting overwhelmed.

You haven’t got a plan, you don’t know what the next step is so you lose you nerve…

You can read more about the course here