I’ve just finished creating a new sketching course taking some of my drawing techniques out of the studio into the countryside.

In ‘The Essential Guide to Sketching the Landscape’ we look at new materials, techniques but most importantly what ‘works’ in a landscape sketch, from composition and simple perspective to changing your viewpoint to achieve maximum results.

Developing the habit of thumbnail sketches can build your confidence when gathering reference information out on location and you’ll become used to using your sketchbook to its full advantage, without feeling pressured to make every piece a finished work of art.

If you want to learn more about discovering the simple pleasure of sketching outdoors, soaking up the sounds and atmosphere click here to watch an intro video to the course

Cheers,

Will

After a long drive we arrived at Laundry cottage in the pitch black, the only sound was running water from the nearby waterfall.

There had been a few minor worries en-route, slight overheating, suspicious drips from under the car and the Sat-Nav had given up the ghost but we were here…and the pack of shortbread left as a welcome gift was quickly consumed!

It was only the next morning we truly appreciated the setting we were in.

Surrounded by lochs, mountains in the distance and a spectacular view of Dunvegan Castle out of the cottage window…

I’ve just finished creating a new drawing course that follows on from the Absolute Beginners Drawing Course.

In ‘How to Draw Light & Shadow for Beginners’ we look at new materials, techniques and work on some figurative drawings. A lot of students come to me who already have basic understanding of drawing and confidence with pencils but feel there is a gap in their knowledge when using different drawing mediums.

This course has been designed to help bridge the gap between graphite pencil drawings to charcoal, chalk and pens and subtlety introduce colour.

Are you stuck in a ‘pencil loop’ ?

Wanting to experiment with new mediums such as charcoal & chalk but unsure of where to start?

Moving onto a new medium with drawing can be a challenge, especially if you’re using the wrong materials.

I was trying to draw with charcoal for years and kept on ‘missing’ the vital ingredient. I thought it was my technique, my paper choice.

My problem?

I was using the wrong charcoal…

Sketch by Will Kemp, View from The Uffizi Gallery Window in Florence, Italy

New Updated step-by-step Online Drawing Course

I’ve been super busy updating and ‘polishing up’ my Absolute Beginners Drawing Class to help aspiring artists to fulfill their creative potential and I’m delighted with the results.

The Artists Eye

Having studied film and cinematography, I’ve tried to create a video course that will give you the best results, as if I’m in the studio with you.

For this new version of the Drawing Course, I’ve updated a few technical things to give you the highest quality possible.

High-Quality Full HD Video Recording

This new version includes all the best demos from the first course but now includes 4 new step by step demos to create a really well-rounded experience…

In this light and shadow series, we look at the theory, drawing and painting of a simple form focusing on shadow, light and edges.

in Part 1, we looked at the theory of light and shadow.

This week we’re going to put pencil to paper and see how the theory works in a simple pencil drawing of an apple…

Cezanne, Oil on Canvas, still life with seven apples, 1878

Ever felt frustrated having worked so hard on a drawing – only to find it still looks ‘flat’?

Is it the proportions? The perspective? Perhaps the composition?

Whilst these all play an integral part, the most effective method of making your drawings appear three dimensional, is understanding how light logic works.

If line drawing creates the proportions, handling of tone creates the form.

The theory seems simple and the changes in technique small, but applying the principles of how tone, light and shade work, will improve the illusion of form in every drawing you do – regardless of the subject.

And the exciting part about it is, once you ‘get’ lighting, the principles never change.

In Part 1 of this 3 Part series (Part 2 – Drawing shading demonstration) we look at the theory, the drawing and then paint a simple form focusing on shadow, light and edges.

You might find it isn’t your drawing technique that’s wrong, but your lighting…