Pen & Ink Still Life Illustrations

cezanne-full-still-life-sketch

This week I’ve been working on the last stages of my new beginner’s acrylic project book and wanted to add some pen and ink illustrations of materials & still life setups.

For all the sketches I used the following pens on 220gsm cartridge paper.

  • Lamy Safari Fountain Pen – filled with Lamy water-soluble black ink
  • Pentel Aquash Waterbrush Pen – this bad boy just holds the perfect about of water in the brush filament tip to wash-in water-soluble ink
  • Muji 0.5mm Black Fine Liner – so smooth and works well at any angle under a rapid speed
  • Pentel Brush Pen – if you’re struggling to create broken line effects, treat yourself to this pen, you can block in deep blacks really quickly

A number of the illustrations below are based on famous still life paintings. I always think looking at the pieces in black and white is interesting as you see how much the composition reveals an artists style. If you compare the shapes in Cézanne’s work to Morandi’s, there is a different set of compositional interests.

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Sketching Art Materials with Pen & Wash

teapot-sketch-pen-ink

Morning class! This week I’ve been putting together a new ‘Beginners Guide’ for the Art School and wanted to add a few little material sketches. For all the sketches I used the following pens on 220 gsm smooth, heavyweight cartridge paper which can handle light watercolour washes.

Materials – Pen & Wash

urban-sketching-materials-pens

  • Lamy Safari Fountain Pen – filled with Lamy water-soluble black ink
  • Pentel Aquash Waterbrush Pen – this bad boy just holds the perfect about of water in the brush filament tip to wash-in water-soluble ink
  • Muji 0.5mm Black Fine Liner – so smooth and works well at any angle at a rapid speed
  • Pentel Brush Pen – if you’re struggling  to create broken line effects, treat yourself to this pen, you can block in deep blacks really quickly
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Discovering Zorn, the Petit Palais & Patisseries in Paris

We arrived in Paris to catch the last few days of a retrospective exhibition of the Swedish painter Anders Zorn (1860-1920)

After a snowy week in England, we woke to blue skies, warm croissants and this amazing rooftop view from our hotel room. I couldn’t resist a quick pen sketch of the row of chimney pots in the distance before we hit the show, check out those windows!

Sketch from Hotel, Rotring Art Pen (F), Pentel Brush Pen and Pentel Aquash Water Pen in A6 size (10 x 15cm) Seawhites of Brighton Sketchpad (140gsm All-Media Cartridge Paper)

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Inspiration, Impressionism and the Power of Environment

I’d travelled through the Cotswolds many times before, captivated by the golden glow of the honey-coloured stone buildings, that just seemed to lend themselves to being painted.

The earthy tones of yellow ochre complimented by soft dull lilacs of wisteria-laden-branches create a really mellow colour palette, you then have crumbling walls surrounded by trees and foliage that bring in a bright sap-green colour pop…

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Sketching the Light and Landscape in Venice

“I’m not getting on.”

“You have to get on.”

“I don’t, I’m not going.”

5 minutes earlier, you could have mistaken us for locals, idly chatting to a friendly looking Italian who had informed us we needed to take the Linea Arancio (Orange line) to San Marco.

The journey time? Well …it could take anywhere between 30 minutes and 1 hour. He seemed vague, but of course, why should he know details about the journey.

We’d caught a late night flight into Venice and were waiting for one of the last ‘Alliguna’ boats from the airport.

The energy started to change and people formed an orderly queue beside a man clinging precariously to the side of an extremely buoyant boat and then it dawned on us.

The small lurching vessel moored in the dock, that I had 100% assured Vanessa we wouldn’t have to go in, was indeed our transport.

And the vague Italian man … he was the Captain.

The rain lashed into the small space at the rear of the boat, tourists and suitcases packed in together and then I heard Vanessa say  “Scusami, Scusami, we’ve changed our minds, we’re getting off at the Rialto Bridge”

3 stops earlier than I’d planned.

Our Venetian adventure had begun…

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Urban Sketching For Beginners Drawing Course – New Course!

Morning Class!

This new Urban Sketching for Beginners Course, reveals how observing everyday life can give an eye-opening appreciation for the towns and cities that we live in.

You don’t need to drive out to the country to draw from life, from an artistic point of view, urban settings have just as much appeal!

The lessons follow a logical progression, from sketching static buildings and monuments to capturing the movement of individual figures and bustling crowds, enabling you to practice your drawing skills and create fast, bold urban sketches with pencils, pens, or watercolors—whatever tools you have on hand.

Topics include:

  • Choosing your materials
  • Building structure into your drawing
  • Sketching architecture
  • Capturing panoramic views of a city
  • Drawing people in cafes
  • Sketching movement
  • Bringing it all together in a start-to-finish drawing

This online drawing course shows you how to draw from life, learn how to draw buildings, street scenes, cafés, and people and you can read more here.

 

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