Morning class! This week I’ve been putting together a new ‘Beginners Guide’ for the Art School and wanted to add a few little material sketches. For all the sketches I used the following pens on 220 gsm smooth, heavyweight cartridge paper which can handle light watercolour washes.

Materials – Pen & Wash

• Lamy Safari Fountain Pen – filled with Lamy water-soluble black ink
• Pentel Aquash Waterbrush Pen – this bad boy just holds the perfect about of water in the brush filament tip to wash-in water-soluble ink
• Muji 0.5mm Black Fine Liner – so smooth and works well at any angle at a rapid speed
• Pentel Brush Pen – if you’re struggling  to create broken line effects, treat yourself to this pen, you can block in deep blacks really quickly

Morning Class!

This new Urban Sketching for Beginners Course, reveals how observing everyday life can give an eye-opening appreciation for the towns and cities that we live in.

You don’t need to drive out to the country to draw from life, from an artistic point of view, urban settings have just as much appeal!

The lessons follow a logical progression, from sketching static buildings and monuments to capturing the movement of individual figures and bustling crowds, enabling you to practice your drawing skills and create fast, bold urban sketches with pencils, pens, or watercolors—whatever tools you have on hand.

Topics include:

• Choosing your materials
• Building structure into your drawing
• Sketching architecture
• Capturing panoramic views of a city
• Drawing people in cafes
• Sketching movement
• Bringing it all together in a start-to-finish drawing

This online drawing course shows you how to draw from life, learn how to draw buildings, street scenes, cafés, and people and you can read more here.

Hi, my name is Will and I am an art material addict.

When the new season art catalogue arrives, I prepare a large cafetiere of coffee, find a comfy chair and indulge in a little bit of window shopping.

If I spot a new ‘innovative ink system’, it’s hard to imagine how my drawings can exist without it.

And if a magazine states ‘Free Pen (RRP £30) when you spend £50 or more on drawing products’ I’d be a fool to miss out!

But the reality is, when I take my sketches out of the studio into the city or countryside, there is a recurring theme.

Most of the new materials I buy are left behind in my growing number of art supply boxes and I find myself grabbing the same few trusted pens that work well together – again and again.

In fact, to create a huge variety of styles, it’s probably less than 10 materials and that includes different ink colours.

So this week I want to introduce you to my Top #4 Minimalist City Slicker combination sets that I actually use when I’m out sketching on location…

This week we’re going to bring our pen sketching skills into the urban environment.

Sketching your surroundings can be such a fantastic way to create a visual diary of your daily experiences and I’m always a sucker for a sketch of a bike.

This video tutorial looks at how you can use different thicknesses of pens to create variety in your sketches, and how thinking about the surrounding shapes outside your main subject can add context to your drawings.

A Step-by-Step Urban Sketching Lesson

How do you start a sketch?…

I’ve just finished creating a new sketching course taking some of my drawing techniques out of the studio into the countryside.

In ‘The Essential Guide to Sketching the Landscape’ we look at new materials, techniques but most importantly what ‘works’ in a landscape sketch, from composition and simple perspective to changing your viewpoint to achieve maximum results.

Developing the habit of thumbnail sketches can build your confidence when gathering reference information out on location and you’ll become used to using your sketchbook to its full advantage, without feeling pressured to make every piece a finished work of art.

If you want to learn more about discovering the simple pleasure of sketching outdoors, soaking up the sounds and atmosphere click here to watch an intro video to the course

Cheers,

Will

After a long drive we arrived at Laundry cottage in the pitch black, the only sound was running water from the nearby waterfall.

There had been a few minor worries en-route, slight overheating, suspicious drips from under the car and the Sat-Nav had given up the ghost but we were here…and the pack of shortbread left as a welcome gift was quickly consumed!

It was only the next morning we truly appreciated the setting we were in.

Surrounded by lochs, mountains in the distance and a spectacular view of Dunvegan Castle out of the cottage window…

I’ve just finished creating a new drawing course that follows on from the Absolute Beginners Drawing Course.

In ‘How to Draw Light & Shadow for Beginners’ we look at new materials, techniques and work on some figurative drawings. A lot of students come to me who already have basic understanding of drawing and confidence with pencils but feel there is a gap in their knowledge when using different drawing mediums.

This course has been designed to help bridge the gap between graphite pencil drawings to charcoal, chalk and pens and subtlety introduce colour.

Are you stuck in a ‘pencil loop’ ?

Wanting to experiment with new mediums such as charcoal & chalk but unsure of where to start?

Moving onto a new medium with drawing can be a challenge, especially if you’re using the wrong materials.

I was trying to draw with charcoal for years and kept on ‘missing’ the vital ingredient. I thought it was my technique, my paper choice.

My problem?

I was using the wrong charcoal…

Sketch by Will Kemp, View from The Uffizi Gallery Window in Florence, Italy

New Updated step-by-step Online Drawing Course

I’ve been super busy updating and ‘polishing up’ my Absolute Beginners Drawing Class to help aspiring artists to fulfill their creative potential and I’m delighted with the results.

The Artists Eye

Having studied film and cinematography, I’ve tried to create a video course that will give you the best results, as if I’m in the studio with you.

For this new version of the Drawing Course, I’ve updated a few technical things to give you the highest quality possible.

High-Quality Full HD Video Recording

This new version includes all the best demos from the first course but now includes 4 new step by step demos to create a really well-rounded experience…

In this light and shadow series, we look at the theory, drawing and painting of a simple form focusing on shadow, light and edges.

in Part 1, we looked at the theory of light and shadow.

This week we’re going to put pencil to paper and see how the theory works in a simple pencil drawing of an apple…

Cezanne, Oil on Canvas, still life with seven apples, 1878

Ever felt frustrated having worked so hard on a drawing – only to find it still looks ‘flat’?

Is it the proportions? The perspective? Perhaps the composition?

Whilst these all play an integral part, the most effective method of making your drawings appear three dimensional, is understanding how light logic works.

If line drawing creates the proportions, handling of tone creates the form.

The theory seems simple and the changes in technique small, but applying the principles of how tone, light and shade work, will improve the illusion of form in every drawing you do – regardless of the subject.

And the exciting part about it is, once you ‘get’ lighting, the principles never change.

In Part 1 of this 3 Part series (Part 2 – Drawing shading demonstration) we look at the theory, the drawing and then paint a simple form focusing on shadow, light and edges.

You might find it isn’t your drawing technique that’s wrong, but your lighting…

Creating a great still life painting often occurs before you’ve even picked up the brush.

In this part of Setting up a Still Life series, we’re going to look at using natural light, whilst also considering the incremental changes in the actual composition of the piece.

In Part 1 we looked at how to master the basic features of your digital camera so you can emulate how your eyes see things in nature, to give you fantastic reference photographs for your still life painting.

Once you understand how to get the depth of field and exposure that you are after, the next thing to consider is the lighting.

I happened to be chatting with my sister about my new Still Life Painting Course on Reflections, when she asked: “Are you going to paint a really hard subject like a glass of water?”

Interestingly, I had overlooked how the ability to paint transparent liquid and glass can seem very impressive – when in fact, with the right image – it’s very simple.

And if you’ve got the right set up, it can be really easy to achieve.

So inspired by this, we’re going to arrange a simple glass of water and next week…paint it…