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A 2013 Thanksgiving Thanks!

willkempthanks

In the spirit of Thanksgiving, I’d like to thank all the comments, questions, students and well wishers that have helped the blog to grow over the last year.

We now have over 100,000 visitors a month and we’ve gone from 500,000 views to just short of hitting nearly hit the 2,000,000 views on YouTube, Woohoo!

It’s so inspiring for me to hear stories of students that have found their way back to painting – after life got in the way of their creativity…

Continue ReadingA 2013 Thanksgiving Thanks!

How to paint, sleep (and nearly die) like Cézanne

paul cezanne plaque

I knew we were in trouble when I opened the car door and brown water started flooded in.

‘Shut the door!’ shouted Vanessa.

Mon Dieu, Mon Dieu!” muttered our French driver, holding her head in her hands.

The car had stalled.

The small country road we had driven along in brilliant sunshine only a few short hours ago was now a raging torrent of water.

I tried the electric windows, no power.

We were trapped.

I saw the water was rising quickly, it was now half way up the car door.

I started to panic.

We were in Provence (just last month) on the trail of Cézanne’s studio, and our idyllic country retreat was rapidly turning into a disaster…

Continue ReadingHow to paint, sleep (and nearly die) like Cézanne

Still Life Acrylic Masterclass Course is Live!

widgit

New Still Life Acrylic Masterclass Course

Morning class!  The Still Life Masterclass in Acrylics course is now available,whoo hoo!

Have you ever asked yourself  “How do I make my paintings look more professional?

At some point in every artist’s development, you get to a stage where your paintings are looking pretty good, you can see your improvement from where you first began, but some tricky subjects still elude you.

You’ve got a basic understanding of colour mixing, paint application and your drawing’s sound, but you want to take your work to the next level.

I’ve created this Classical Still Life Masterclass with acrylics to help aspiring artists bring their paintings to a more professional finish.

We deal with the more complex subject of reflective surfaces such as Silver, Ceramic & Mahogany using an extended palette and multi-layered glazing techniques.

Here’s a brief video intro to the course:


My Still Life Masterclass Course and is now available and you can learn more and join the course by just clicking this link

Continue ReadingStill Life Acrylic Masterclass Course is Live!

How to Paint Glass & Reflections with Acrylics – Part 3 of 3

stilllifesetupglassofwater

In Part 1 we looked at how to master the basic features of your digital camera, so you can emulate how your eyes see things in nature to give you fantastic reference photographs for your still life painting.

In Part 2 we saw how small incremental changes in your composition and lighting can instantly create a more dramatic and pleasing image for a painting.

So for Part 3, we’re on to the painting…

Continue ReadingHow to Paint Glass & Reflections with Acrylics – Part 3 of 3

Are you 1cm away from the perfect composition? Part 2 of 3

helpwithlighting copy

Creating a great still life painting often occurs before you’ve even picked up the brush.

In this part of Setting up a Still Life series, we’re going to look at using natural light, whilst also considering the incremental changes in the actual composition of the piece.

In Part 1 we looked at how to master the basic features of your digital camera so you can emulate how your eyes see things in nature, to give you fantastic reference photographs for your still life painting.

Once you understand how to get the depth of field and exposure that you are after, the next thing to consider is the lighting.

I happened to be chatting with my sister about my new Still Life Painting Course on Reflections, when she asked: “Are you going to paint a really hard subject like a glass of water?”

Interestingly, I had overlooked how the ability to paint transparent liquid and glass can seem very impressive – when in fact, with the right image – it’s very simple.

And if you’ve got the right set up, it can be really easy to achieve.

So inspired by this, we’re going to arrange a simple glass of water and next week…paint it…

Continue ReadingAre you 1cm away from the perfect composition? Part 2 of 3

Shoot stunning still life set ups for your paintings – 1 of 3

photographing still life WillKemp

Will Kemp, Still Life with Figs, Photograph, 2012

Have you ever got out your digital camera to take a shot of your still life set up and been sorely disappointed with the results?

Your photo looks washed out, or too dark or the flash had popped up and flattened the whole scene.

You’re not alone in the quest for a simple formula to create great reference photographs for your paintings.

You might have tried turning the dial to the ‘manual’ mode, fired off a few shots, got disheartened, only to return to the safe haven of the ‘flower setting’ or ‘Auto’ on the dial.

Understanding the manual functions of your digital camera can be a liberating experience and can greatly improve the framing of your paintings.

Or maybe you’ve never used your camera to help with your paintings but you’d like to learn how…

Continue ReadingShoot stunning still life set ups for your paintings – 1 of 3

What is the best background colour for your studio walls

artist studio wall colour

And why does it matter?

One of the most common colour questions I get asked on the Art School is “How do I choose the right colour to paint my coloured ground?”

But before I tackle that subject in more detail, I wanted to look at an often overlooked subject, studio wall colour.

To answer the previous question completely, you should be thinking of your studio space as a whole.

The colours that surround you in your studio space influence the perceptions of the colour on your canvas and are often the secret source to effective classical painting.

It isn’t as glamorous as the actual painting, however, getting it wrong can throw your eye out without you even realizing it…

Continue ReadingWhat is the best background colour for your studio walls

French Café Scene with Acrylics Tutorial – 5/5

painting materials tea

Essential acrylic painting starter set!

This is the final part of the painting and we can start to reap the rewards from our careful underpainting and patience.

If you’ve just stumbled on the tutorial you can catch up below:

This week we start to introduce a brighter red and a yellow.

Continue ReadingFrench Café Scene with Acrylics Tutorial – 5/5

French Café Scene with Acrylics Tutorial – 4/5

painting trees in acrylics

A step-by-step French Café Scene acrylic painting

In these tutorials I will be posting a series of videos on my YouTube channel that you can follow along at home. It’s free to subscribe to the website so you can keep updated with the painting progress.

You can watch Part 1 & 2 of the painting demonstration  and Part 3 French cafe

This week we start to introduce a red and a yellow…

Continue ReadingFrench Café Scene with Acrylics Tutorial – 4/5

French Café Scene with Acrylics Tutorial – Part 3

contrast in underpainting acrylics

A step-by-step French Café Scene acrylic painting

In this series I will be posting a weekly video on my YouTube channel that you can follow along at home. It’s free to subscribe to the website so you can keep updated with the painting progress.

You can watch Part 1 of the painting demonstration here.

This week we start to introduce the lightest lights and some blue…

Continue ReadingFrench Café Scene with Acrylics Tutorial – Part 3

French Café Scene with Acrylics Tutorial – Parts 1 & 2 of 5

Acrylic street scene demo

Bonjour Classe!

This week we’re off to France!

This tutorial takes us through a simple cafe scene, where we follow through the underlying structure of a painting.

We look at an easy way to check your perspective, the importance of ‘negative spaces’ when composing your image and how to mix the perfect consistency of paint…

Continue ReadingFrench Café Scene with Acrylics Tutorial – Parts 1 & 2 of 5

Art Studio Lighting Design (how to avoid being kept in the dark)

cezanne artist studio

Natural light in Cezanne’s artist studio

Have you ever been half-way through a painting and suddenly the art studio light changes?

You carry on painting, hoping for a break in the weather, trying to remember the colour you’ve just mixed, and then the lighting changes.. again.

You think it won’t matter, it’s not that important, but the way you light your art studio can be one of the most cost effective ways of improving your painting and your colour mixing without buying another tube of paint.

One of the easiest methods of designing better lighting, is to simply change your light bulb.

But not all studio lamps are created equal.

From a £5 hardware store fluorescent tube to a £1,500 bespoke solution, the choices you make affect your ability to match colours accurately, judge skin tones effectively, and even feel a little happier by the quality of light you paint within.

With different options available you can have studio lighting the Old Masters would have been proud of…. without turning to shots of Absinthe.

Emergency chocolate biscuits needed

Trying to understand all the considerations when choosing my own studio lighting nearly led me to a lighting melt down! But bear in mind, I’m trying to design a bespoke studio where I’ll be painting 12 hours a day some days, through gloomy British weather and many a midnight painting session. So I need a space that has both natural light and the best quality artificial light.

There are so many variables and it’s such a specialist request that many Electrician’s will roll their eyes at you. With this tricky subject in mind, I have tried to created a summary of what you really need to know, and it can get a bit technical in places.

Do I really need to know this? I hear you cry!

Maybe, maybe not.

It depends on how much painting you do and your current lighting situation…

Continue ReadingArt Studio Lighting Design (how to avoid being kept in the dark)

Acrylic Palette Knife Painting Techniques – Part 4

personal style in painting

Bringing Personality to your Painting

In the final stages of any painting, it’s a case of viewing your piece as a whole and adjusting details or adding more saturated colour to create a harmony and balance.

You’ll be painting more instinctively, rather than methodically and putting a stamp of your own personal style within it.

Students often ask, ‘How do I develop my own style?’

And the answer is quite simple.

You already have it – even though you might not think it…

Continue ReadingAcrylic Palette Knife Painting Techniques – Part 4

Acrylic Palette Knife Painting Techniques – 3/4

paletteknifepaintingpart3

A step-by-step Palette Knife Acrylic Painting – Video Course Part 3

In this painterly, impressionistic palette knife study, I am posting a weekly video on my YouTube channel so that you can follow along at home.

It’s free to subscribe to the blog to receive updates so you can keep up with the painting progress.

Developing a Painterly Approach

When painting with a palette knife, one of the most valuable techniques you can apply is to loosen up and try and see shapes, rather than details.

If you’re coming to painting from drawing, comparing the control you can achieve with a sharp pencil with the ‘clumsiness’ of a palette knife, can be become your Achilles heel…

Continue ReadingAcrylic Palette Knife Painting Techniques – 3/4

Acrylic Palette Knife Painting Techniques – Part 2 of 4

impastopaletteknifeacrylicpainting

A step-by-step Palette Knife Acrylic Painting – Video Course Part 2

In this painterly, impressionistic palette knife study, I am posting a weekly video on my YouTube channel so that you can follow along at home.

It’s free to subscribe to the blog to receive updates so you can keep up with the painting progress.

The reference photograph and full material list can be found on Part 1 here.

The photo can be ‘right clicked’ and ‘Save image as’, so you can use it as a reference, print it out and follow along with the video below…

Continue ReadingAcrylic Palette Knife Painting Techniques – Part 2 of 4