How to choose the Perfect White for your Acrylic Painting

whiteacrylicpaint

Seems a little far-fetched doesn’t it?

That your white paint could be ruining your paintings.

It’s often the first tube of paint you buy and definitely the most used on your palette … yet can be the most overlooked paint in your collection.

You can become transfixed by the Quinacridones, save up for the expensive Cadmium but little old Titanium white stays the same.

Choosing the ‘right’ white for the type of painting you’re creating is a critical step in mastering painting with acrylics.

So what is the right white to use?

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New Updated Drawing Course is live!

Sketch by Will Kemp, View from The Uffizi Gallery Window in Florence, Italy

New Updated step-by-step Online Drawing Course

I’ve been super busy updating and ‘polishing up’ my Absolute Beginners Drawing Class to help aspiring artists to fulfill their creative potential and I’m delighted with the results.

The Artists Eye

Having studied film and cinematography, I’ve tried to create a video course that will give you the best results, as if I’m in the studio with you.

For this new version of the Drawing Course, I’ve updated a few technical things to give you the highest quality possible.

High-Quality Full HD Video Recording

This new version includes all the best demos from the first course but now includes 4 new step by step demos to create a really well-rounded experience…

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How to paint light & shade in Acrylics (Part 3 of 3 – Videos)

painting an apple in acrylics

“Painting is drawing with the added complication of colour and tone”
Harold Speed – The Practice & Science of Drawing

In this light and shadow series we look at the theory, drawing and painting of a simple form focusing on shadow, light and edges.

Part 1 we looked at the theory of light and shadow.

Part 2 we put pencil to paper and looked at practical drawing techniques with a simple pencil drawing of an apple.

This week we’re going back to the studio to start creating the illusion of form with acrylic paint. I wanted to develop our sketch into a finished painting, using the same principles of light logic but having a more contemporary feel by the choice of colours, composition and context.

For Part 3 I’ve created a free video tutorial so you can watch every step and follow along at home…

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A Beginners Guide to Light & Shadow : Part 1

still-life-with-seven-apples-1878

Cezanne, Oil on Canvas, still life with seven apples, 1878

Ever felt frustrated having worked so hard on a drawing – only to find it still looks ‘flat’?

Is it the proportions? The perspective? Perhaps the composition?

Whilst these all play an integral part, the most effective method of making your drawings appear three dimensional, is understanding how light logic works.

If line drawing creates the proportions, handling of tone creates the form.

The theory seems simple and the changes in technique small, but applying the principles of how tone, light and shade work, will improve the illusion of form in every drawing you do – regardless of the subject.

And the exciting part about it is, once you ‘get’ lighting, the principles never change.

In Part 1 of this 3 Part series (Part 2 – Drawing shading demonstration) we look at the theory, the drawing and then paint a simple form focusing on shadow, light and edges.

You might find it isn’t your drawing technique that’s wrong, but your lighting…

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7 Questions every Artist needs to ask before Varnishing an Oil Painting

how-to-varnish-oil-painting

An Introduction to Varnishing an Oil Painting

As we’ve discussed in 3 Reasons why artists varnish their work (and why some artists don’t) varnishing is primarily an aesthetic choice on the final finish of your painting.

Not only can it really bring up the vibrancy and richness in your realist paintings but it offers protection for the painted surface from atmospheric effects to make the surface easier to clean in the future.

No One technique for varnishing suits every situation — the texture of the paint surface, whether you want a matte or gloss finish, speed of completion etc.. all effect which varnish you choose.

There are different considerations to think about when you’re working with Oils in comparison to Acrylics, so here are some common questions to check before getting out the varnish brush…

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