How to Paint a Sunlit Room Interior with Acrylics (Balancing Warm and Cool Light)

interior-scene-with-acrylics

Morning class! This week we’re in a Victorian townhouse.

I’d been visiting for afternoon tea when the play of light in the hallway caught my eye. The warm sunlight coming in from garden doors to the right cast a real glow onto the yellow wooden wall. The floral arrangement reminded me of the peonies in the Floral Still Life Painting Course, and you can start to see how compositions can be built out from one point of reference.

There was a natural blue light coming from a window in the hallway out of shot to the left, and an orange incandescent wall lamp, higher up on the right, both contributing to the warm and cool tones in the flowerheads.

This step-by-step acrylic tutorial looks at balancing different areas of light and shadow (chiaroscuro) when working on a sunlit room interior scene.

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New Beginner’s Still Life Project E-Book is Live!

Beginners-acrylic-book

 

This Still Life Acrylic Project Book is a brand new, downloadable PDF E-Book designed to help you understand light and shadow and create better acrylic still life paintings.

Who’s the E-book for?

An absolute beginner to acrylics who wants to complete a simple still life painting but would like help with colour mixing recipes and drawing guides.

If you have trouble creating a realistic form within your still life’s, then you would see instant improvements through the lessons. Why? Because when you will understand how changes in light influence change in value, it can transform your paintings.

What’s included?

Throughout the e-book, I’ll guide you through 3 full-colour acrylic paintings from start to finish. I’ve broken each lesson into bite-size pieces, so you can complete each stage of the painting within a 2-hour window, something you can easily follow, even if you’ve never painted before.

  • A 100-page pdf (with 3 x projects, and simple step-by-step instructions)
  • Line drawings (so you can follow along even if you’re new to drawing)
  • Colour swatches (that you can print out to match your paints against)
  • Colour mixing recipes (so even an absolute beginner can achieve balanced harmonious mixes)
  • Colour reference images (to work 1:1 with your paintings)

By the end of the book, you’ll learn how to filter your objects, look for relationships in stories, scale, size and the importance of planning a colour scheme, knowing all the same principles will apply to future more complicated arrangements.

You can read more about it here: Still Life Acrylic Project E-Book

Cheers,

Will

p.s You can also read a review of the e-book by the lovely Professor and Author Mary Tabor here: New Book by Will Kemp, Artist and Teacher Extraordinaire

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Pen & Ink Still Life Illustrations

cezanne-full-still-life-sketch

This week I’ve been working on the last stages of my new beginner’s acrylic project book and wanted to add some pen and ink illustrations of materials & still life setups.

For all the sketches I used the following pens on 220gsm cartridge paper.

  • Lamy Safari Fountain Pen – filled with Lamy water-soluble black ink
  • Pentel Aquash Waterbrush Pen – this bad boy just holds the perfect about of water in the brush filament tip to wash-in water-soluble ink
  • Muji 0.5mm Black Fine Liner – so smooth and works well at any angle under a rapid speed
  • Pentel Brush Pen – if you’re struggling to create broken line effects, treat yourself to this pen, you can block in deep blacks really quickly

A number of the illustrations below are based on famous still life paintings. I always think looking at the pieces in black and white is interesting as you see how much the composition reveals an artists style. If you compare the shapes in Cézanne’s work to Morandi’s, there is a different set of compositional interests.

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(Free PDF Download) Beginner’s Guide to Acrylics

(Free PDF Download) Beginner's Guide to Acrylics

Morning Class!

If you’re new to the website I’ve put together a Free PDF ‘Beginners Guide to Acrylics’ which includes a brief overview about acrylic paint, colour palettes, tools & materials as well as showing you how the different areas of the Will Kemp Art School fit together.

I introduce the principles behind my teaching, a catalogue of all the free video painting tutorials on the website and a section on how to find the perfect course for you.

If you click the link Free PDF ‘Beginners Guide to Acrylics’ you can download it and have a read through with a brew!

Hope you enjoy it,

Cheers,

Will

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Acrylic Still Life Study of a Fish using Acrylic Glazing Techniques (Free 25 min Video Tutorial)

Acrylic Still Life Study of a Fish using Acrylic Glazing Techniques (Free 25 min Video Tutorial)

Morning class!

This week we’re going to be painting a simple study of a fish, taking inspiration from objects you might see every day and transforming them into paint.

The video tutorial looks at how you can combine a monochrome underpainting with colour glazes to create a luminosity in your acrylic paintings. We’ll keep the piece’s freshness by building up layers of clear transparent glazes, and all we will be using is 5 paints and a couple of brushes.

I’ll be using a stay-wet palette to hold my tonal colour string mixes in, and then any leftover colours from the painting can go back in there, ready for my next piece.

You can download the reference image below to work along from, so grab a brew (maybe a couple of biscuits) and let’s get painting!!…

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The Immersive Power of Painting (a Painting Truth you can Learn too Late)

The Immersive Power of Painting (a Painting Truth you can Learn too Late)

How often have you heard yourself say “I’d love to paint but I’ve got too much going on… I’ll have to wait till I’ve finished work….the kids have grown up….

“I wish I had more time to paint but… but, but, but”

Just finding space to set your paints out means upheaval of something else and squeezing a free window of time feels too difficult to plan in an already jam-packed calendar.

And then, having to learn how to paint on top of that ….uh, I can see why you’d think you’d have to wait until you retire!

But is it possible by not painting now, you’re missing out?

What if you don’t need more time to paint, but you need to paint, to give your mind a much-needed refresh?…

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New! Floral Still Life Acrylic Painting Course is now Available!

New! Floral Still Life Acrylic Painting Course is now Available!

Morning Class!

The new Floral Still Life Acrylic Painting Course is now available!

I’ve developed this course to show you how you can transfer the feeling of simplicity and light into a studio floral still life by the arrangement of colours, composition and tonal value range.

Taking classical painting techniques to build up an indirect painting in acrylics you’ll create a more contemporary still life painting that allows you to use a light modern palette and still see a good three-dimensional form.

Cheers,
Will

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How to Paint a Plein Air Sketch of a Lemon Tree with Acrylics (Video Tutorial)

Morning class, this week I’ve been in Mallorca soaking up the scenery and enjoying painting outside. I found this secluded tree within a lemon grove that I thought would work well as a little Plein air sketch with acrylics.

You can download a reference image below to follow along with the lesson.

Downloading the reference photograph

The photo below can be ‘right clicked’ and ‘Save image as’, so you can use it as a reference image, print it out and follow along with the video above.

How to Paint a Plein Air Sketch of a Lemon Tree with Acrylics (Video Tutorial)

You can download a larger version of the image here.

lemon-grove-sketch

Whenever I’m sketching outside, I’m always looking for contrast and shapes that will translate well into a drawing as well as a painting…

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New! Venice – Light & the Landscape Impressionistic Course is now Live!

New! Venice - Light & the Landscape Impressionistic Course is now Live!

Morning Class!

The new Venice – Light & the Landscape Impressionistic Course is now available!

I’ve developed this acrylic painting course inspired by a Venetian Sunset to help guide you through the process of moving from small-scale to large-scale acrylic paintings.

What pitfalls does an artist face when painting big?

As a student visiting the Musée de l’Orangerie in Paris,  I’d just seen Monet’s monumental Water Lily paintings and I was in awe.

The sheer scale of the pieces with thick painterly brush strokes inspired me to get back to my little studio space at home.

It was time to break out with the big canvas.

I wanted to create impressionistic landscapes and seascapes that still held the qualities of light-fall and realism that I’d seen, but maybe a little bit smaller than 40ft!

And this immersive large-scale painting experience is what many beginner artists want, it feels exciting and well….arty to create something big and expressive.

Grabbing a large decorators brush, making gestural marks on your canvas – feels invigorating, almost like a breakthrough and then…. you start to hear your inner artist voice getting overwhelmed.

You haven’t got a plan, you don’t know what the next step is so you lose you nerve…

You can read more about the course here

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Sketching the Light and Landscape in Venice

Sketching the Light and Landscape in Venice

“I’m not getting on.”

“You have to get on.”

“I don’t, I’m not going.”

5 minutes earlier, you could have mistaken us for locals, idly chatting to a friendly looking Italian who had informed us we needed to take the Linea Arancio (Orange line) to San Marco.

The journey time? Well …it could take anywhere between 30 minutes and 1 hour. He seemed vague, but of course, why should he know details about the journey.

We’d caught a late night flight into Venice and were waiting for one of the last ‘Alliguna’ boats from the airport.

The energy started to change and people formed an orderly queue beside a man clinging precariously to the side of an extremely buoyant boat and then it dawned on us.

The small lurching vessel moored in the dock, that I had 100% assured Vanessa we wouldn’t have to go in, was indeed our transport.

And the vague Italian man … he was the Captain.

The rain lashed into the small space at the rear of the boat, tourists and suitcases packed in together and then I heard Vanessa say  “Scusami, Scusami, we’ve changed our minds, we’re getting off at the Rialto Bridge”

3 stops earlier than I’d planned.

Our Venetian adventure had begun…

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How to Paint a Copper Pot in Acrylics – Step-by-Step Video Tutorial

acrylic-copper-pot-painting-tutorial

Morning class! This week we’re going to learn how to capture the brilliant qualities of reflections in copper, using acrylic paint.

I absolutely love how vibrant this copper pan is surrounded by the dark range. Notice how, even though the background is a dark subject, there is still a lighter tone on either side of the pan to bring it forward.

Copper makes a great subject, allowing us to work with a complementary colour palette of orange and inky blue, deep blacks and vibrant colour glazes.

So let’s get started…

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How to Paint Green Summer Trees with Acrylics – Video Tutorial

adding shadows to a landscape painting

Green.

Love it or hate it, almost all landscape artists want to paint trees, woods and grass realistically.

But mixing greens can be one of the major issues that can start to throw your landscape painting off-course.

Greens can be an Achilles heel for beginners, and the urge to grab a vivid, bright green from the paintbox can be hard to resist.

In the past, I’ve demonstrated how you can achieve some surprisingly subtle greens by using some seemingly ‘non-green’ colours such and black and brown.

And I advise beginners to throw out their pre-mixed green (usually this is Emerald Green included in starter sets) when they’re first starting, in order to practice colour mixing with acrylics and develop their own mixing skills and gain colour confidence.

Why?..

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How to Paint a Simple Snowscene with Acrylics – video tutorial

will kemp winter tutorial

Snow.

It can seem a tricky subject to capture.

Is it white? Is it blue? How do you paint it to look soft, or darken it without it looking dull?

Having a ‘less is more’ approach to your palette can reflect the colours of Winter absolutely perfectly – without getting complicated.

And the first clue to a convincing Winter snowscape, is the sky…

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Painting, Pasties & Padstow – A Cornish Painting Trip

Rames Head

Considering it was mid-April in England, we were treated to some truly amazing weather.

We’d travelled down the coast to an area of South East Cornwall called ‘The Forgotten Corner’. Often overlooked due to its remote location but we found some cracking little-secluded coves and practically empty sandy beaches.

Artist’s have always been drawn to Cornwall due to the quality of light and mild climate, but the trip for me was all about getting to the sea.

The ever changing tide, the allure of cliff edges, the great expanse of sky and the unpredictable power of the waves.

We wanted to get to the edge, be battered by the elements and this was the closest we could find.

view from our window

 View from our cottage window – Rame Peninsula, Cornwall

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