Pen & Ink Still Life Illustrations

cezanne-full-still-life-sketch

This week I’ve been working on the last stages of my new beginner’s acrylic project book and wanted to add some pen and ink illustrations of materials & still life setups.

For all the sketches I used the following pens on 220gsm cartridge paper.

  • Lamy Safari Fountain Pen – filled with Lamy water-soluble black ink
  • Pentel Aquash Waterbrush Pen – this bad boy just holds the perfect about of water in the brush filament tip to wash-in water-soluble ink
  • Muji 0.5mm Black Fine Liner – so smooth and works well at any angle under a rapid speed
  • Pentel Brush Pen – if you’re struggling to create broken line effects, treat yourself to this pen, you can block in deep blacks really quickly

A number of the illustrations below are based on famous still life paintings. I always think looking at the pieces in black and white is interesting as you see how much the composition reveals an artists style. If you compare the shapes in Cézanne’s work to Morandi’s, there is a different set of compositional interests.

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(Free PDF Download) Beginner’s Guide to Acrylics

(Free PDF Download) Beginner's Guide to Acrylics

Morning Class!

If you’re new to the website I’ve put together a Free PDF ‘Beginners Guide to Acrylics’ which includes a brief overview about acrylic paint, colour palettes, tools & materials as well as showing you how the different areas of the Will Kemp Art School fit together.

I introduce the principles behind my teaching, a catalogue of all the free video painting tutorials on the website and a section on how to find the perfect course for you.

If you click the link Free PDF ‘Beginners Guide to Acrylics’ you can download it and have a read through with a brew!

Hope you enjoy it,

Cheers,

Will

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Acrylic Still Life Study of a Fish using Acrylic Glazing Techniques (Free 25 min Video Tutorial)

Acrylic Still Life Study of a Fish using Acrylic Glazing Techniques (Free 25 min Video Tutorial)

Morning class!

This week we’re going to be painting a simple study of a fish, taking inspiration from objects you might see everyday and transforming them into paint.

The video tutorial looks at how you can combine a monochrome underpainting with colour glazes to create a luminosity in your acrylic paintings. We’ll keep the freshness of the piece by building up layers of clear transparent glazes and all we going to be using is 5 paints and a couple of brushes.

I’ll be using a stay-wet palette to hold my tonal colour string mixes in, and then any leftover colours from the painting, can go back in there ready for my next piece.

You can download the reference image below to work along from, so grab a brew (maybe a couple of biscuits) and let’s get painting!!…

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The Immersive Power of Painting (a Painting Truth you can Learn too Late)

The Immersive Power of Painting (a Painting Truth you can Learn too Late)

How often have you heard yourself say “I’d love to paint but I’ve got too much going on… I’ll have to wait till I’ve finished work….the kids have grown up….

“I wish I had more time to paint but… but, but, but”

Just finding space to set your paints out means upheaval of something else and squeezing a free window of time feels too difficult to plan in an already jam-packed calendar.

And then, having to learn how to paint on top of that ….uh, I can see why you’d think you’d have to wait until you retire!

But is it possible by not painting now, you’re missing out?

What if you don’t need more time to paint, but you need to paint, to give your mind a much-needed refresh?…

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New! Floral Still Life Acrylic Painting Course is now Available!

New! Floral Still Life Acrylic Painting Course is now Available!

Morning Class!

The new Floral Still Life Acrylic Painting Course is now available!

I’ve developed this course to show you how you can transfer the feeling of simplicity and light into a studio floral still life by the arrangement of colours, composition and tonal value range.

Taking classical painting techniques to build up an indirect painting in acrylics you’ll create a more contemporary still life painting that allows you to use a light modern palette and still see a good three-dimensional form.

Cheers,
Will

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How to Paint a Plein Air Sketch of a Lemon Tree with Acrylics (Video Tutorial)

Morning class, this week I’ve been in Mallorca soaking up the scenery and enjoying painting outside. I found this secluded tree within a lemon grove that I thought would work well as a little Plein air sketch with acrylics.

You can download a reference image below to follow along with the lesson.

Downloading the reference photograph

The photo below can be ‘right clicked’ and ‘Save image as’, so you can use it as a reference image, print it out and follow along with the video above.

How to Paint a Plein Air Sketch of a Lemon Tree with Acrylics (Video Tutorial)

You can download a larger version of the image here.

lemon-grove-sketch

Whenever I’m sketching outside, I’m always looking for contrast and shapes that will translate well into a drawing as well as a painting…

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New! Venice – Light & the Landscape Impressionistic Course is now Live!

New! Venice - Light & the Landscape Impressionistic Course is now Live!

Morning Class!

The new Venice – Light & the Landscape Impressionistic Course is now available!

I’ve developed this acrylic painting course inspired by a Venetian Sunset to help guide you through the process of moving from small-scale to large-scale acrylic paintings.

What pitfalls does an artist face when painting big?

As a student visiting the Musée de l’Orangerie in Paris,  I’d just seen Monet’s monumental Water Lily paintings and I was in awe.

The sheer scale of the pieces with thick painterly brush strokes inspired me to get back to my little studio space at home.

It was time to break out with the big canvas.

I wanted to create impressionistic landscapes and seascapes that still held the qualities of light-fall and realism that I’d seen, but maybe a little bit smaller than 40ft!

And this immersive large-scale painting experience is what many beginner artists want, it feels exciting and well….arty to create something big and expressive.

Grabbing a large decorators brush, making gestural marks on your canvas – feels invigorating, almost like a breakthrough and then…. you start to hear your inner artist voice getting overwhelmed.

You haven’t got a plan, you don’t know what the next step is so you lose you nerve…

You can read more about the course here

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Sketching the Light and Landscape in Venice

Sketching the Light and Landscape in Venice

“I’m not getting on.”

“You have to get on.”

“I don’t, I’m not going.”

5 minutes earlier, you could have mistaken us for locals, idly chatting to a friendly looking Italian who had informed us we needed to take the Linea Arancio (Orange line) to San Marco.

The journey time? Well …it could take anywhere between 30 minutes and 1 hour. He seemed vague, but of course, why should he know details about the journey.

We’d caught a late night flight into Venice and were waiting for one of the last ‘Alliguna’ boats from the airport.

The energy started to change and people formed an orderly queue beside a man clinging precariously to the side of an extremely buoyant boat and then it dawned on us.

The small lurching vessel moored in the dock, that I had 100% assured Vanessa we wouldn’t have to go in, was indeed our transport.

And the vague Italian man … he was the Captain.

The rain lashed into the small space at the rear of the boat, tourists and suitcases packed in together and then I heard Vanessa say  “Scusami, Scusami, we’ve changed our minds, we’re getting off at the Rialto Bridge”

3 stops earlier than I’d planned.

Our Venetian adventure had begun…

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How to Paint a Copper Pot in Acrylics – Step-by-Step Video Tutorial

acrylic-copper-pot-painting-tutorial

Morning class! This week we’re going to learn how to capture the brilliant qualities of reflections in copper, using acrylic paint.

I absolutely love how vibrant this copper pan is surrounded by the dark range. Notice how, even though the background is a dark subject, there is still a lighter tone on either side of the pan to bring it forward.

Copper makes a great subject, allowing us to work with a complementary colour palette of orange and inky blue, deep blacks and vibrant colour glazes.

So let’s get started…

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How to Paint Green Summer Trees with Acrylics – Video Tutorial

adding shadows to a landscape painting

Green.

Love it or hate it, almost all landscape artists want to paint trees, woods and grass realistically.

But mixing greens can be one of the major issues that can start to throw your landscape painting off-course.

Greens can be an Achilles heel for beginners, and the urge to grab a vivid, bright green from the paintbox can be hard to resist.

In the past, I’ve demonstrated how you can achieve some surprisingly subtle greens by using some seemingly ‘non-green’ colours such and black and brown.

And I advise beginners to throw out their pre-mixed green (usually this is Emerald Green included in starter sets) when they’re first starting, in order to practice colour mixing with acrylics and develop their own mixing skills and gain colour confidence.

Why?..

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How to Paint a Simple Snowscene with Acrylics – video tutorial

will kemp winter tutorial

Snow.

It can seem a tricky subject to capture.

Is it white? Is it blue? How do you paint it to look soft, or darken it without it looking dull?

Having a ‘less is more’ approach to your palette can reflect the colours of Winter absolutely perfectly – without getting complicated.

And the first clue to a convincing Winter snowscape, is the sky…

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How to Paint a Cornish Harbour in Acrylics – Video Tutorial

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Downloading the reference photograph

The photo below can be ‘right clicked’ and ‘Save image as’, so you can use it as a reference image, print it out and follow along with the video above.

harbour tutorial will kemp art school small

You can also download a High-Resolution Image here...

Continue Reading How to Paint a Cornish Harbour in Acrylics – Video Tutorial

Painting, Pasties & Padstow – A Cornish Painting Trip

Rames Head

Considering it was mid-April in England, we were treated to some truly amazing weather.

We’d travelled down the coast to an area of South East Cornwall called ‘The Forgotten Corner’. Often overlooked due to its remote location but we found some cracking little-secluded coves and practically empty sandy beaches.

Artist’s have always been drawn to Cornwall due to the quality of light and mild climate, but the trip for me was all about getting to the sea.

The ever changing tide, the allure of cliff edges, the great expanse of sky and the unpredictable power of the waves.

We wanted to get to the edge, be battered by the elements and this was the closest we could find.

view from our window

 View from our cottage window – Rame Peninsula, Cornwall

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On Painting, Procrastination and What Might Have Been

acrylic abstract painting

 “For of all sad word of tongue or pen, the saddest are these. “It might have been.”
John Greenleaf Whittier

I always feel so sad when I read this quote, “It might have been…”

What a waste.

So many aspiring artists come to me with a real passion for learning how to paint and ask me where they should start?

Not knowing where to begin or muddling along on your own can be really slow progress and eventually the paints can spend more time in your box than on your canvas.

Your dreams of becoming a painter get lost.

But you were so close!

If you came to my studio with the question ‘I have a week to learn how to paint, what do I need to know?

I’d strip the learning process down to basics, the fewest brushes, a few key colours and an essential introduction to the wide properties of acrylics.

Materials and set up, colour mixing and pigment choice, brush handling and palette knife techniques and gels and mediums.

Then we’d get painting using methods that achieve great results even if you’ve got no artistic training.

Why Acrylics?

Acrylics can be used in thin transparent washes like water colours or in a thicker more opaque form like oil paint.

They dry quickly and can be diluted and cleaned with water making them simple to use, odourless and accessible for the beginner.

So when are you coming round, right?

If you’ve never even picked up a pencil I’d always usually recommend learning how to draw. Which I know sounds a little deflating … you want to learn how to paint!

However, learning to draw sets you so far ahead, so quickly, it really is the most ‘bang for your buck’ for a set of principles that don’t change.

But what if the allure of colour is too much to resist and you want to get straight into painting?

Well, I’ve been working on a new course just for you…

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How to Paint Acrylic Portraits

acrylic portrait painting tutorialPainting portraits with acrylics can be frustrating.

It can seem that you’re facing an uphill struggle.

After the pleasure of not getting headaches from toxic turpentine and being able to paint with thick impasto marks there seems to be double payback for daring to tackle a portrait with acrylics.

Not only do the colours appear unsophisticated and garish but the paint dries too quickly to blend together successfully, especially when you’re trying to mix subtle skin tones.

You can be left feeling disappointed with your results, admit defeat and crack out the thinners for another go with the Oils.

I’ve been working on a new portrait course, that can help develop your portrait skills and dramatically shorten your learning curve to achieving classical looking portraits with acrylics…

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