New! Floral Still Life Acrylic Painting Course is now Available!

Morning Class!

The new Floral Still Life Acrylic Painting Course is now available!

I’ve developed this course to show you how you can transfer the feeling of simplicity and light into a studio floral still life by the arrangement of colours, composition and tonal value range.

Taking classical painting techniques to build up an indirect painting in acrylics you’ll create a more contemporary still life painting that allows you to use a light modern palette and still see a good three-dimensional form.

Cheers,
Will

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How to Paint a Plein Air Sketch of a Lemon Tree with Acrylics (Video Tutorial)

Morning class, this week I’ve been in Mallorca soaking up the scenery and enjoying painting outside. I found this secluded tree within a lemon grove that I thought would work well as a little Plein air sketch with acrylics.

You can download a reference image below to follow along with the lesson.

Downloading the reference photograph

The photo below can be ‘right clicked’ and ‘Save image as’, so you can use it as a reference image, print it out and follow along with the video above.

You can download a larger version of the image here.

lemon-grove-sketch

Whenever I’m sketching outside, I’m always looking for contrast and shapes that will translate well into a drawing as well as a painting…

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New! Venice – Light & the Landscape Impressionistic Course is now Live!

Morning Class!

The new Venice – Light & the Landscape Impressionistic Course is now available!

I’ve developed this acrylic painting course inspired by a Venetian Sunset to help guide you through the process of moving from small-scale to large-scale acrylic paintings.

What pitfalls does an artist face when painting big?

As a student visiting the Musée de l’Orangerie in Paris,  I’d just seen Monet’s monumental Water Lily paintings and I was in awe.

The sheer scale of the pieces with thick painterly brush strokes inspired me to get back to my little studio space at home.

It was time to break out with the big canvas.

I wanted to create impressionistic landscapes and seascapes that still held the qualities of light-fall and realism that I’d seen, but maybe a little bit smaller than 40ft!

And this immersive large-scale painting experience is what many beginner artists want, it feels exciting and well….arty to create something big and expressive.

Grabbing a large decorators brush, making gestural marks on your canvas – feels invigorating, almost like a breakthrough and then…. you start to hear your inner artist voice getting overwhelmed.

You haven’t got a plan, you don’t know what the next step is so you lose you nerve…

You can read more about the course here

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Sketching the Light and Landscape in Venice

“I’m not getting on.”

“You have to get on.”

“I don’t, I’m not going.”

5 minutes earlier, you could have mistaken us for locals, idly chatting to a friendly looking Italian who had informed us we needed to take the Linea Arancio (Orange line) to San Marco.

The journey time? Well …it could take anywhere between 30 minutes and 1 hour. He seemed vague, but of course, why should he know details about the journey.

We’d caught a late night flight into Venice and were waiting for one of the last ‘Alliguna’ boats from the airport.

The energy started to change and people formed an orderly queue beside a man clinging precariously to the side of an extremely buoyant boat and then it dawned on us.

The small lurching vessel moored in the dock, that I had 100% assured Vanessa we wouldn’t have to go in, was indeed our transport.

And the vague Italian man … he was the Captain.

The rain lashed into the small space at the rear of the boat, tourists and suitcases packed in together and then I heard Vanessa say  “Scusami, Scusami, we’ve changed our minds, we’re getting off at the Rialto Bridge”

3 stops earlier than I’d planned.

Our Venetian adventure had begun…

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How to Paint a Copper Pot in Acrylics – Step-by-Step Video Tutorial

acrylic-copper-pot-painting-tutorial

Morning class! This week we’re going to learn how to capture the brilliant qualities of reflections in copper, using acrylic paint.

I absolutely love how vibrant this copper pan is surrounded by the dark range. Notice how, even though the background is a dark subject, there is still a lighter tone on either side of the pan to bring it forward.

Copper makes a great subject, allowing us to work with a complementary colour palette of orange and inky blue, deep blacks and vibrant colour glazes.

So let’s get started…

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How to Paint Green Summer Trees with Acrylics – Video Tutorial

adding shadows to a landscape painting

Green.

Love it or hate it, almost all landscape artists want to be able to paint trees, woods and grass realistically.

But mixing greens can be one of the major issues that can start to throw your landscape painting off-course.

Greens can be an Achilles heel for beginners, and the urge to grab a vivid, bright green from the paint box can be hard to resist.

In the past I’ve demonstrated how you can achieve some surprisingly subtle greens by using some seemingly ‘non-green’ colours such and black and brown.

And I advise beginners to throw out their pre-mixed green (usually this is Emerald Green included in starter sets) when they’re first starting, in order to practice colour mixing with acrylics and develop their own mixing skills and gain colour confidence.

Why?..

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