How to Paint a Simple Still Life using Oil Paints

simple-still-life-painting-tutorial

Morning class!

If you’ve ever wanted to have a go with oils but felt the mysterious mix of Linseed Oil and Turpentine put you off, then this simple still life study is for you.

It uses just one medium mix the whole way through and I demonstrate the similarities between the techniques we’ve been using on previous acrylic paintings tutorials.

Traditional oil painting medium recipes can be complicated but it’s not essential to master it all so I’ve kept it simple so you can get painting.

Switching between acrylics and oil paint can be a smooth transition, the main difference is how you dilute the pigments.

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New @willkempartschool collection – Turner Adventures in Colour Exhibition

Growing up in Kent, a trip to Margate beach brings back memories of avoiding jellyfish, penny slot machines and overdosing on ice-cream.

As kids, we thought it was a pretty good beach.

Mainly because it meant the freedom of the Summer holidays but also because of the huge expanse of sand we could run about on.

Turner thought it was a pretty good place too, becoming a regular visitor throughout his lifetime.

For him, it was the unique quality of light in East Kent, with impressive skies and turbulent sea that inspired his works.

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How to Glaze an Oil Portrait Course – New Course!

oil paint glaze recipe

How to Glaze an Oil Portrait for Beginners Course

When I was trying to find my way in portraiture, I’d spend hours studying Old Master paintings thinking “Wow, how did they do that?

I was flummoxed.

Not only did the skin look realistic, but they’d managed to capture those bluish grey tones that lie just beneath the skin’s surface. In my naivety, I just couldn’t work out how you could paint one colour next to another colour yet create such a smoky transition.

I’d repetitively ask Vanessa, “When will I be able to paint the melt of the cheek you see on the Mona Lisa?

Unhelpfully she used to say “Isn’t it just old?

Inwardly I’d sigh.

And then I discovered oil glazing…

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New Year, New View? How a Few Small Changes Influenced my Portrait Painting Style

portrait-painting-oil-glazing-techniques

There was a small sign that hung below an empty black space, it read ‘In Prestito‘.

On loan.

Last Summer I was back in Florence, Italy, to visit one of my favourite paintings that had enticed me to the city over 10 years ago.

The only problem was, when I got to the gallery, the painting wasn’t there.

It was at the Kunsthistorisches Museum in Vienna and I had missed it.

The painting?

Caravaggio’s sleeping Cupid.

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Inside Rembrandt’s Studio

outsideannefrankamsterdam

Earlier in the Summer, I took an impromptu trip to see ‘Late Rembrandt‘.

It was the first time that an exhibition had been solely dedicated to Rembrandt’s late works. Many of the most famous paintings that he produced in the last 15 years of his life had been brought together from museums and private collections across the globe.

This period is often the most celebrated due to Rembrandt’s development of a more gestural, impressionistic style and this was some 200 years before the popularity of the Impressionists.

He was out there!

I’d missed the exhibition when it was on show in London at the National Gallery but for the final leg of the tour it was going home to the Rijksmuseum in Amsterdam.

Heavy dark shadows, hidden brooding eyes, thick scratchy textured marks, lots of Brown umbers and a dirty yellow varnish glow are all the things that excite me about Rembrandt’s self-portrait style.

With the allure of Nutella Waffles, the opportunity to visit Rembrandt’s Studio and the once in a lifetime chance of seeing so many Rembrandt’s up close together, how could I resist…

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7 Questions every Artist needs to ask before Varnishing an Oil Painting

how-to-varnish-oil-painting

An Introduction to Varnishing an Oil Painting

As we’ve discussed in 3 Reasons why artists varnish their work (and why some artists don’t) varnishing is primarily an aesthetic choice on the final finish of your painting.

Not only can it really bring up the vibrancy and richness in your realist paintings but it offers protection for the painted surface from atmospheric effects to make the surface easier to clean in the future.

No One technique for varnishing suits every situation — the texture of the paint surface, whether you want a matte or gloss finish, speed of completion etc.. all effect which varnish you choose.

There are different considerations to think about when you’re working with Oils in comparison to Acrylics, so here are some common questions to check before getting out the varnish brush…

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