Below is a gallery of students work that have been inspired by the apple painting in How to paint light & shade in Acrylics
If you’ve completed the tutorial yourself drop me an email and I’ll add it to the page!
Tamara Zurunic – with the simplicity of the background the shape of the apple comes to life, the surface has a layered watercolour effect to it.
Sue Callahan – This piece has such delicate handling to it, with the colours flowing into each other so nicely. This was Sue’s third-ever painting!
Sue Mahy – This piece has such delicate handling to it, with the colours flowing into each other so nicely. This was Sue’s third-ever painting!
Myrna Richards – The balance of tones really helps the highlight come to life and the lighter grey hues in the background help to bring the form forward to the viewer
Monica Walsh – Love how the ground colour has become an integral part of the composition, and the apple feels spotlit
Mary Tabor – Such energy in the brushworks, the cast shadow looks fantastic, I feel there is a whole scene happening around the edges of the frame
Margo Armstrong – Love the colours in the apple, the painting has managed to capture a lovely surface quality and the details in the apple stalk add to the realism of the piece
Joe Pellerin – Fantastic observation in the form shadow, a really well-observed painting of the subtle transitions of the light.
Jerry Malec – the subtle shifts in colour across the apple surface brings that three-dimensional quality to the piece, and the ‘flat top’ observation on the drawing of the apple aids in the realism of the ’round’ apple
Janine Von Zeuner – Fabulous textural qualities and impasto marks, real confidence in the brush handling.
Wanda Jones – nice use of the cast shadow shape to ground the apple and give us that sense of a strong directional light source. This is the first time Wanda has worked on a toned ground.
Inna Balanica – This apple has such weight to it. By combining the cast and form shadow the apple sits solidly on the table surface within the depth of the scene.
Ina Jones – there seems such depth within the surface of the apple, it has a real energy to it
Emily Willy – this piece has a great colour balance between the greys and the muted green on the apple. The subtle red around the apple lifts the colour and brings the subject towards us, lovely job.
Derek – amazing drawing and sensitivity in creating the angle of the form shadow. The delicate dashes of colour on the right-hand side really give us that apple skin texture.
Dana – This is Dana’s first acrylic painting ever! lovely sense of form, the cast shadow looks great and a real vibrancy in the colour palette.
Claudia – This is one of Claudia’s first attempts painting with acrylics! Great to see how the different layers have all come together and the light hitting the apple works brilliantly.
Barbara Ende – Love the broken edge quality around the apple and the play of different textures. This was Barbara’s first painting, since then she’s worked on larger scale pieces, landscapes and has been selling her works, great work Barbara!
Tatyana Petrenko – such subtle observations across the surface, excellent work
Ali Campbell – Fabulous ‘turning of the form’ and real subtle hues in the form shadow
Steve Cook – Well judged cast shadow and sense of light
Sarmed Mirza – Love the clear distinctions between the planes
Paul Tomlinson – the colourful background adds a new dimension to the piece
Paul Nash – Great energy in the surface of the apple
Nancy C Johnson – The subtle colour mixing in the background hues are gorgeous
Morana Kavgic – Such delicate handling of the cast shadow and gleam on the apple
Michael Kelley – Fantastic colours of the apple skin, and well-balanced inclusion of the red
Laundrea Lewis – The subtle observation over the surface of the apple is marvellous
John Powell – This painting has a great solidity and sense of three-dimensionality
Jo-Anne Botha – Absolutely love the freedom in these brushstrokes
Jeff Cote – The warmth in the form shadow works brilliantly well
Jan Rossington – Such movement within the apple, it has a real sense of dancing light
Gayle G – Great use of the ground colour to create glow from within
Debbie Aslan – Love the balance of the colour palette and the softness of the edge control
Claire Ballard – Such detailed observation of the stalk, feels like you could pick it from the canvas!
Cathy Jameson – The brushstrokes echo the shape of the form bringing your eye around the piece
Andrea Werner – Love the textural quality of the surface, and the confidence of touch