About Will Kemp
Will Kemp self portrait, Oil on canvas
I believe everybody has the ability to create great paintings and drawings, the true trick though is knowing how to see with an artists eye….. and this I can teach you.
How did it all begin?
My first success in painting came at the age of 9 on Tony Harts TV show, when I won a set of colouring pencils for, dare I say stunning, drawing of the Taj Mahal.
From here on in I was hooked.
I was born near Canterbury, Kent in 1977, near the Kent coast.
My dad, who’s an amazing Garden Designer, used to create unbelievable sand sculptures on the beaches – so from a young age I have always been inspired by creating a piece of art from humble beginnings.
The way pigment and canvas can be put together to create a picture fascinates me as much now as it did then.
Where did you Learn to Paint?
I studied Fine Art both at Foundation and Degree level.
In February 2010 I applied to The Queen Elizabeth Scholarship Trust to study Sight size Portraiture In Florence and became a Queens’ Craft Scholar.
This was formal training at the highest level which proved to me how important good tuition is and how hard it is to come by inspiring me on to create this website.
Receiving Qest Scholarship from the Duchess of Northumberland, June 2010
Photo credit: John Stone
To learn more about Qest visit www.qest.org.uk
Where have you worked?
Having gained my Fine Art Degree I embarked on a 6 months renaissance pilgrimage to Italy, hungry to see the Masterpieces that had inspired me so much.
On returning to the UK I followed my passion for education working within the Museums sector as a Curriculum Development Officer for the Arts.
This enabled me to work on wonderful projects such as Renaissance in the Region, The Big Draw and the Tate Partnership Scheme, working alongside The Tate Gallery, The National Gallery and the Arts Council.
It meant I could give people unprecedented access to Masterpieces they wouldn’t normally see and then inspire the hidden creativity in them.
I’d always painted at the weekends and handling Turners and Goyas in the day reminded me of my love of paint , so I went part-time and set up a studio gallery with my wife Vanessa.
This was in an old teapot factory with no heating or natural light or passing trade ! but it did give me the creative freedom I’d been missing.
Eighteen Months down the road and lots of sleepless nights later the teapot factory got sold so we decided after several whiskeys that it was now or never , finished the museum job, put our house on the market and bought a rundown shop in the wrong end of town.
It was our paradise…well until the first utility bill came in!
Where have you exhibited?
Having the luxury of time and dedication my painting and business acumen grew, I taught myself portraiture and successfully exhibited at the Mall Galleries, London.
I now found myself missing the teaching so ran painting and drawing classes from the gallery.
These were a huge success and confirmed this was part of me. Alongside my gallery commissions I approached Demontfort Fine Art with my landscape paintings and became successfully represented by them.
What Inspired Me To Become an Artist?
Excitement of seeing what were just colours on a palette transform into a face or a landscape that transports you to another place. It never fails to amaze me.
When it works it’s a real high, I also get great enjoyment through teaching painting and drawing.
I wouldn’t say it was a conscious decision; it’s been something I’ve always done and couldn’t contemplate not creating.
I’ve always been creating things and loved images so it was just a natural progression.
Contrast and colour in nature; a cracking sunset, a cloud just changing shape, the nostalgia of seaside holidays and the coast, I also just love paint!
Putting out pure raw pigments is just really pleasurable I become obsessed by colours and have even had dreams about pigments.
I could be drawn to a shape, see an interesting shadow, or splash of colour. Often it has an element of Chiaroscuro or a contrast of colour.
I love Velasquez , John Singer Sargent, Whistler, Caravaggio, Rembrandt, Joseph Wright of Derby, Turner, Gerhard Richter, Bouguereau I could go on… I also am a great fan of cinematography, especially work of Darius Khondji, Roger Deakins and Christopher Doyle.
What’s A Typical Working Day?
I usually get up early and go out with Vanessa, for a walk in the park, it’s a great time to get inspired, talk and take in the day, we work together, in creative businesses and she helps keep my over active imagination in reality! I usually have about 20 genius ideas every day!
I enjoy the ritual of setting out the paints; the smell of turps fills you with energy.
I work between landscape and portrait commissions and often have numerous paintings drying around the studio, usually precariously propped! In-between painting I research painting digital media techniques and find it enormously rewarding to pass on knowledge to eager students.
I’m often drawn to the studio in the evening and paint late into the night. If I’m not painting I often read old texts on traditional painting techniques and often see Vanessa’s eyes rolling when I tell her the amazing properties of Indian Red!
Where’s my Work Sold?
My landscapes are represented by Demontfort Fine Art and are sold Nationwide through their galleries. www.demontfortfineart.com
To contact me email: email@example.com