The 3 Reasons Why You Can’t Draw, (And What to Do About It)


Sometimes you just can’t figure it out.

It seems no matter how hard you try, how intensely you look at a subject, your drawings look wrong.

You’ve read how to draw books, maybe gone to a few art classes but the art of drawing still seems to elude you.

And you begin to question yourself – What if it’s me? What if I don’t have enough talent?

What if I’m never going to improve?

You are not alone.

Understanding drawing can be the key to both your artistic success and a new, razor sharp creative mind – but it can seem an uphill struggle.

But what if there was a simple solution? Pieces to the puzzle that you didn’t know existed,

3 secrets that could instantly improve your drawing and painting?

Wouldn’t you give it a try?..

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New Absolute Beginners Drawing Class

Absolute Beginners Drawing Course

Sketch by Will Kemp, whilst eating gelato in Rome

Step-by-step Online drawing instruction course

I’m developing a New Absolute Beginners Drawing Class to help aspiring artists to fulfill their creative potential.

If you’re here from Lateral Action 7 ways learning to draw can improve your productivity then hello!

The reason I’m creating this easy to follow, on-line video course is to help frustrated artists find a way to express themselves by drawing with confidence.

With over 3 hours of tuition from Will, you can go on a creative journey to discover that you can pick up a pencil, wherever, whenever and actually start drawing…

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How to Instantly add Depth to Your Mountains in Acrylic Landscape Painting

aerial perspective Leonardo-da-Vinci-Leonardo da Vinci – The Virgin of the Rocks (detail), 1491-1508

Why do mountains look blue in the distance?

Have you ever wondered why a hill, that you know is covered in green trees, looks purple or blue when viewed from a long distance away?

Trying to create a sense of depth and distance in your landscape painting is key for creating realism in your paintings.

The simplest way to do this is with Aerial perspective…

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How to Draw Perspective for Beginners


Caneletto, Venice, The Grand Canal, about 1740

Perspective techniques for absolute beginners

How to solve a problem like perspective?

Perspective is one of the most common issues beginners have with drawing and painting.

Get it wrong and it can easily ruin a great start, get it right and it can instantly improve your work.

If you’re like most painters you are probably trying to create a sense of depth in your work.

Leading the viewer’s eye deep into the scene giving the illusion of reality.

But sometimes it just doesn’t look right.

The distant object doesn’t look so distant, your figures look out of proportion, a building looks like it is sliding off the page. And your still life just looks….odd.

You are not alone….

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The Rule of Thirds in Landscape Painting (video)

Video Transcript – How to use the ‘rule of thirds’ in your landscape paintings

Morning class, today we are going to have a quick look at composition and the rule of thirds.

Even though it’s called a rule it’s really just a guide to help you compose a picture that looks natural within a rectangle, or square, I find it always works best though within a rectangle.

All you do is split your page into thirds, horizontally and vertically. And these bad boys on the intersections are what we’re looking for…these are what we can align key points of interest to pump up our paintings to guide the viewer into where we want them to look…

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The Secret of Good Composition

The Secret of Good Composition

‘And after drawing comes composition. A well-composed painting is half done’
Pierre Bonnard

Imagine a lovely drawing of a house with a path meandering up to it, trees either side in careful balance, a classic landscape scene that just ‘works’.

Where is this masterpiece? The Tate? The National?

No, stuck to your fridge door, created by a 4-year-old.

As a young child, visual harmony and composition comes naturally.

Children seem to start out with a near perfect sense of composition if you have small children or are lucky enough to have any of your old drawings you created as a child I’m sure you’ll find the same to be true.

Younger children see the edges of the paper as a whole frame to fill, and they often fill them with a great sense of balance.

When you start to grow up, you know – really old like 9 or 10, that’s where the drawing problems start. The focus shifts and is aimed away from composition to the pursuit of something far more important, where the accolades are huge and respect even greater, the quest for the ultimate prize …… realism.

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